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#characterization

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Consider Your Characters’ Age

Photo by Rod Long on Unsplash
Recently I was telling a friend how excited I was about the new coffee grinder I’d just bought: the unexpected quietness of its motor, the precision of its grind, how streamlined and pretty its design.
“I’ll take Things That Get Old People Excited for $500, Alex,” she joked as I waxed on.
writerunboxed.com/2025/03/25/c

#CRAFT #characterization #creatingcharacter
@indieauthors

Hi everyone,
It’s #introduction time. Thanks for having us!
We are the nanomaterials for BioImaging Group (nanoBIG) at the Universidad Autónoma de Madrid, focusing on the #synthesis, #characterization and application of luminescent #nanoparticles for #imaging and #sensing.
This includes research on #luminescene for remote #nanothermometry, the use of optical tweezers for trapping particles, and the development of contrast agents for near-infrared imaging and optical coherence tomography (#OCT).

#Molecular #characterization and #evolutionary #dynamics of #influenza A(#H1N1) strains isolated from 2015 to 2017 in North #India, Iran J Microbiol.: publish.kne-publishing.com/ind

Conclusion: The genogroup 6B continues to be the dominant circulating strain in Indian subcontinent region however the presence of pathogenic #mutations in the 2017 strains from north India underlines the importance of continued molecular #surveillance.

publish.kne-publishing.com Molecular characterization and evolutionary dynamics of influenza A(H1N1) strains isolated from 2015 to 2017 in North India | Iranian Journal of Microbiology
Continued thread

And then, you know, I love flat characters too! (I adore fairy tales.). I think they can feel just as alive as the sort that we call "round" or "complex."

Some of that happens through implied or intuitive depth. (A favorite theory of mine!)

I haven't thought as much about this, but I think it probably happens through character change, as well. Which might part of why folks conflate dynamic and complex.

Continued thread

So we talked about how learning about a character's past deepens our understanding of her--that's one way to make a complex character. But Ali also gestured to what's next for her & if she might change--that's the creation of a dynamic character.

I think dynamic and complex (deep, round) are often conflated but are useful to separate. A character can be one or the other or neither or both.

Which kind do you like to write?

I wrote about the mysterious way flat characters come alive in fairy tales--and how to use that strategy in other sorts of stories.

It involves unexpected action and even keeping secrets.

What do you think? Can you handle characters you don't completely understand? Any other tricks for bringing life to non-POV or peripheral characters?

bit.ly/DiffDepth

imprompt2 · A Different Sort of DepthBy Allison Wyss
FrontiersIsolation and genetic characterization of MERS-CoV from dromedary camels in the United Arab EmiratesBackgroundThe study of coronaviruses has grown significantly in recent years.Middle East respiratory syndrome coronavirus (MERS-CoV) replicates in various cell types, and quick development has been made of assays for its growth and quantification. However, only a few viral isolates are now available for investigation with full characterization. The current study aimed to isolate MERS-CoV from nasal swabs of dromedary camels and molecularly analyze the virus in order to detect strain-specific mutations and ascertain lineage classification.MethodsWe isolated the virus in Vero cells and adapted it for in vitro cultivation. The isolates were subjected to complete genome sequencing using next-generation sequencing followed by phylogenetic, mutation, and recombination analysis of the sequences.ResultsA total of five viral isolates were obtained in Vero cells and adapted to in vitro cultures. Phylogenetic analysis classified all the isolates within clade B3. Four isolates clustered close to the MERS-CoV isolate camel/KFU-HKU-I/2017 (GenBank ID: MN758606.1) with nucleotide identity 99.90–99.91%. The later isolate clustered close to the MERS-CoV isolate Al-Hasa-SA2407/2016 (GenBank ID: MN654975.1) with a sequence identity of 99.86%. Furthermore, the isolates contained several amino acids substitutions in ORF1a (32), ORF1ab (25), S (2), ORF3 (4), ORF4b (4), M (3), ORF8b (1), and the N protein (1). The analysis further identified a recombination event in one of the reported sequences...

I wrote about Addie Tsai's UNWIELDY CREATURES and vulnerability--how it can make us invest in characters even more than boring old likability.

What else makes you care about a character, especially if they're difficult for some reason or other? And what traits do you give your prickly characters to make readers want to stick with them?

#WritingCommunity #WritingConversations #Writing #Vulnerability #Likeability #Characterization #Frankenstein #UnwieldyCreatures

bit.ly/unwieldyvuln

loft.orgUnwieldy Creatures and Vulnerability | The Loft Literary Center

I'm thinking about all the ways characters put up a sort of armor to hide their true self & how that armor only makes us feel more intensely that there is vulnerability behind it. It can be so compelling.

Their armor can be toughness or defensiveness or cruelty or politeness or cheerfulness or naïveté or busy-ness or obsession with something that seems unrelated or just a general refusal to hear what is said. What else?

Replied in thread

@sethhalleway

3/ The scene in #StarWars #TheMandalorian immediately following the one I mentioned (about half-way in) has another good example, this one of #CharacterDevelopment.

[Spoiler free] Aside from the large group, Character A, who is trying to lead a mission & doubts they can do what needs to be done, ponders their task at hand. Character B gives them encouragement, by revealing why he has aligned with Char B.

In the process, we see not only Char A as more three-dimensional, but also learn about Char B's motivations for going on this mission in the first place, and for their recent previous unexpected actions in regard to Char A.

Give #characters time to ponder-- moments of self-doubt, introspection, reflection on past events, and strategizing for impending events.

You can use these "breather moments" between action scenes to focus on character building, #motivation, etc.

Replied in thread

@sethhalleway

2/ The trick with this approach is to make sure the #dialogue sounds natural and not like exposition. There is an excellent example of this being done VERY well in the most recent episode (seven) of #TheMandalorian.

Two groups of characters who haven't spoken in years are sitting down for a meal. Their dialogue artfully brings everyone up to speed on the story so far-- including the folks like me, who haven't seen every episode of every #StarWars series ever.

Having "outsider" / "new guy" #characters also helps: They need things explained to them, and can act as a proxy for the reader/viewer.

@sethhalleway
1/ #Backstory for #characters and/or #plot can be done by having them meet up with someone they haven't seen in years, and referring to events of that era or before. It can also be used to catch up on the character. You can also insert some #WorldBuilding scattered throughout.

"Bob! You old so-and-so. What've you been up to since last we talked?"

"Well, Fred... Recently I saved the Ondari solar system from a giant space shark, and lost the love of my life to a two-headed alien from the planet Zargon. Overall though, my career as a space pirate has been doing fairly well. How are things with you? How are your three wives and four podlings doing these days?"

"Pretty good. Hey... Remember that night we got drunk at that space bar, and you met up with a Solarian Princess?" [Dialogue continues on to tell about their shared mutual past.]