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#필리핀

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«Lupang Hinirang» «ᄙᅮ빵 히니랑» (“Chosen Land”) is the National Anthem of the #Philippines

(written in Mabuhay Hangeul 마부하미 한글 v1.0)

바양 마기ᄙᅵ의,
뻴ᄙᅡᆺ 낭 시ᄙᅡᅌᅡ난.
아ᄙᅡᆸ 낭 뿌소,
사 딥딥 모이 부하이.

ᄙᅮ빵 히니랑,
두얀 까 낭 마기띵.
사 만ᄙᅮᄙᅮ삑,
디 까 빠시시이ᇐ.

사 다가ퟍ 아ퟍ 분돆,
사 시모이 아ퟍ 사 ᄙᅡᅌᅵퟍ 몽 북하의.
마이 디ᄙᅡᆨ 앙 뚜ᄙᅡ,
아ퟍ 아위ퟍ 사 빡ᄙᅡ양 미나마하ᇐ.

앙 낏ᄙᅡퟦ 낭 와까왂 모이,
따굼빠이 나 낙니닝닝.
앙 비뚜윈 아ퟍ 아라의 니야,
까이ᄙᅡᆫ 빠 마이 디 낙디디ᄙᅵᆷ.

ᄙᅮ빠 앙 아라의 앙 ᄙᅮ와ᇐ하띠ퟍ 빡신따,
부하이 아이 ᄙᅡᅌᅵퟍ 사 삐ᄙᅵᆼ 모.
아밍 ᄙᅵ가야 나 빡 마이 망아아삐,
앙 마마따이 낭 다히ᇐ 사오.

(Mabuhay Hangeul is a work-in-progress; see: techmagus.github.io/pilipino-h )

마부하미 한글 (Mabuhay Hangeul) IME · 마부하미 한글 (Mabuhay Hangeul) IMEA web-based input method editor for the new Mabuhay Hangeul keyboard layout.

My final line-up.
* 2 Filipinos
* 1 half-Filipino half-Korean
* 4 Japanese
* 1 Korean

It's time to shake up the Asian idol industry, especially, the Korean idol industry.

1. Elisia 🇵🇭 center, one top, all-rounder
2. Gehlee 🇵🇭 main vocals, visual
3. Hyeon-ju 🇵🇭🇰🇷 leader, choreographer, lead dancer, lead vocals
4. Kotoko 🇯🇵 main dancer, main visual
5. Yuri 🇯🇵
6. Nana 🇯🇵
7. Narumi 🇯🇵
8. Seonwon 🇰🇷

If this new girl group does end up with at least half foreigners, we can say that the Korean idol industry has come full circle. Remember, it originated from the Japanese idol industry. ^_~

(While there were Korean idol groups with mainly foreigners, they were specifically picked by the agency/label. It was not through a survival competition + fan voting + very strict judges.)

#Elisia #엘리시아 #GehleeDangca #젤리당카 #UniverseTicket #유니버스티켓 #Philippines #필리핀 #Kpop #Japan

(The attached image was made possible by: universeticket.github.io/?r=MD )

@kpop@chirp.social @kpop@a.gup.pe

The #AsiaArtistAwards2023 is happening tomorrow evening at the Philippine Arena, #Bulacan, #Philippines.

The #AsiaArtistAwards (아시아 아티스트 어워즈) is mostly #Kpop and #Kdrama artists.

All the foreign attendees, especially the celebrities, started arriving early morning today. Most will more likely leave Friday evening, the 15th after taking some rest.

I hope we can give them a very good experience and memory.

#Asia #Awards #AwardsNight #Pilipinas #ᜉᜒᜎᜒᜉᜒᜈᜐ᜔ #필리핀 #AAA #아시아아티스트어워즈 #Asian

Local #Fandoms behave!

And I hope those who will visit the Philippines for the first time will also agree that #ItsMoreFunInThePhilippines!

@kpop@chirp.social @kpop@a.gup.pe @kdrama@chirp.social @kdrama@a.gup.pe @philippines@lemmy.world @Philippines@chirp.social @pilipinas@readit.buzz @pilipinas@lemmy.ml @pinoy@chirp.social @pinoy@a.gup.pe

Continued thread

It is too bad that this part of K-pop history is never mentioned in any sources. Our generation, who have witnessed the arrival of K-pop in the Philippines years before it swept across Asia, are moving on to our next life.

It is sad that this part of Korean and Philippine history will be forgotten because no so-called “reputable” sources want to record it. People who grew up and witnessed it are not “reputable” enough.

Continued thread

K-pop 역사의 이 부분이 어떤 출처에서도 언급되지 않는 것이 안타깝습니다. 아시아를 휩쓸기 몇 년 전부터 필리핀에서 K-pop의 도래를 목격해 온 우리 세대는 다음 생으로 넘어가고 있습니다.

한국과 필리핀 역사의 이 부분이 잊혀지는 것은 소위 '명망 있는' 자료가 없기 때문에, 그것을 기록하고 싶어하는 사람들이 없기 때문에, 그것을 목격한 사람들은 충분히 '명망 있는' 사람들이 아니기 때문에 슬픈 일입니다.

Continued thread

The reason we have known the first generation of K-pop artists and groups since 1995 was because OCW (Overseas Contract Workers; as it was known then), and migrants, were bringing back albums to their kids and these were passed around in schools and friends. Some even hit radio stations; or were used as a music for the 90s Philippine dance craze.

In other words, long before the assumed beginning of the Hallyu wave, K-pop was already gaining grounds in the Philippines. Long before modern K-pop started to get popular in China and Japan, they were already known here in the Philippines.

I would say that BoA was the most popular K-pop solo artist in the Philippines because the Japanese versions of her songs gained quick popularity here, along with the original Korean versions.

Continued thread

우리가 1995년부터 K-pop 가수와 그룹의 1세대를 알게 된 것은 OCW(해외계약직)와 이주민들이 아이들에게 앨범을 가져다주고 학교와 친구들에게 전달해주었기 때문입니다. 라디오 방송국을 히트시키기도 하고, 90년대 필리핀 댄스 열풍의 음악으로 사용되기도 했습니다.

즉, 한류가 시작되기 훨씬 전부터 필리핀에서는 이미 K-pop이 자리를 잡고 있었고, 현대의 K-pop이 중국과 일본에서 인기를 얻기 훨씬 전부터 이곳 필리핀에서는 이미 K-pop이 알려져 있었습니다.

보아가 필리핀에서 가장 인기 있는 K-pop 솔로 가수라고 할 수 있는 것은 그녀의 노래의 일본어 버전이 한국어 원본과 함께 한국에서 빠른 인기를 얻었기 때문입니다.

Korean #필리핀 #RunningMan judge (for 10 years), Mr. Hong Seong Beom “Pakner”, showed his #soccer / #football talent in #RunningManPH #런닝맨PH (start at 28:00 mark).

#RunningManPhilippines #런닝맨필리핀

Way to go!

And as our Filipino hosts said, he knows how to play. ^_^ (We should bring back the sport in the spotlight in the Philippines. AFAIK, it was our original favourite sports, it was not #basketball.)

youtube.com/watch?v=gYIiqkHF4Q

@philippines @pinoy