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#compilation

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African Music Forum (AMF)<p>The Indestructible Beat of Soweto</p><p><a href="https://amf.didiermary.fr/indestructible-beat-soweto/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">amf.didiermary.fr/indestructib</span><span class="invisible">le-beat-soweto/</span></a></p><p>The Indestructible Beat of Soweto is a compilation album released in 1985, featuring twelve tracks by artists from South Africa. The sleeve notes state that all songs are in the mbaqanga style, a guitar-based style popular at the time in the townships of Johannesburg and Durban, but the tracks actually cover four different styles, mbaqanga, […]</p><p><a href="https://indieweb.social/tags/80smusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>80smusic</span></a> <a href="https://indieweb.social/tags/Compilation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Compilation</span></a> <a href="https://indieweb.social/tags/Mbaqanga" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Mbaqanga</span></a> <a href="https://indieweb.social/tags/SouthAfrica" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SouthAfrica</span></a></p>
Eric Maugendre<p>"Choreographic programming is a paradigm for concurrent and distributed software, whereby descriptions of the intended communications (choreographies) are automatically compiled into [decentralized code.<br>It is difficult to combine w/higher-order functions]: compilation is not modular (editing a part might require recompiling everything) and the generated code can perform unexpected global synchronisations."<br><a href="https://portal.findresearcher.sdu.dk/en/publications/modular-compilation-for-higher-order-functional-choreographies" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">portal.findresearcher.sdu.dk/e</span><span class="invisible">n/publications/modular-compilation-for-higher-order-functional-choreographies</span></a></p><p><a href="https://hachyderm.io/tags/computing" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>computing</span></a> <a href="https://hachyderm.io/tags/compilation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>compilation</span></a> <a href="https://hachyderm.io/tags/CS" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>CS</span></a> <a href="https://hachyderm.io/tags/concurrency" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>concurrency</span></a> <a href="https://hachyderm.io/tags/distributed" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>distributed</span></a> <a href="https://hachyderm.io/tags/semantics" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>semantics</span></a> <a href="https://hachyderm.io/tags/computerScience" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>computerScience</span></a></p>
African Music Forum (AMF)<p>Orchestre Super Borgou de Parakou</p><p><a href="https://amf.didiermary.fr/orchestre-super-borgou-parakou-bariba-sound/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">amf.didiermary.fr/orchestre-su</span><span class="invisible">per-borgou-parakou-bariba-sound/</span></a></p><p>Super Borgou de Parakou was a band created by Moussa Mama and guitarist Menou Roch. This group, influenced by Afrobeat and Funk in the 1970s, also drew inspiration from Beninese folk music such as Bariba and Dendi.</p><p>The Bariba Sound 1970-76<br>Originating from the Kwara state of northwest Nigeria, the Bariba – a predominantly Islamic […]</p><p><a href="https://indieweb.social/tags/70smusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>70smusic</span></a> <a href="https://indieweb.social/tags/Benin" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Benin</span></a> <a href="https://indieweb.social/tags/Compilation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Compilation</span></a> <a href="https://indieweb.social/tags/Blaugust" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Blaugust</span></a> <a href="https://indieweb.social/tags/Blaugust2025" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Blaugust2025</span></a></p>
African Music Forum (AMF)<p>Roots Rocking Zimbabwe – The Modern Sound of Harare Townships 1975-1980</p><p><a href="https://amf.didiermary.fr/roots-rocking-zimbabwe/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">amf.didiermary.fr/roots-rockin</span><span class="invisible">g-zimbabwe/</span></a></p><p>In the early 1970s, the townships of the Rhodesian capital, Salisbury (which would become Harare upon Zimbabwe’s independence in 1980), were buzzing with new sounds from diverse backgrounds. Bands began to fuse Anglo-Saxon rock, Congolese rumba, South African Mbaqanga, Soul, and traditional rhythms, [...]</p><p><a href="https://indieweb.social/tags/70smusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>70smusic</span></a> <a href="https://indieweb.social/tags/Compilation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Compilation</span></a> <a href="https://indieweb.social/tags/Rock" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Rock</span></a> <a href="https://indieweb.social/tags/Zimbabwe" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Zimbabwe</span></a> <a href="https://indieweb.social/tags/Blaugust" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Blaugust</span></a></p>
African Music Forum (AMF)<p>Nigeria Disco Funk Special</p><p><a href="https://amf.didiermary.fr/nigeria-disco-funk-special/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">amf.didiermary.fr/nigeria-disc</span><span class="invisible">o-funk-special/</span></a></p><p>“Nigeria Disco Funk Special: The Sound Of The Underground Lagos Dancefloor 1974-79” is a compilation released in 2008. Tracklist See also: Nigeria Rock Special – Psychedelic Afro Rock &amp; Fuzz Funk in 1970s Nigeria</p><p><a href="https://indieweb.social/tags/70smusic" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>70smusic</span></a> <a href="https://indieweb.social/tags/AfroFunk" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>AfroFunk</span></a> <a href="https://indieweb.social/tags/Compilation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Compilation</span></a> <a href="https://indieweb.social/tags/Disco" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Disco</span></a> <a href="https://indieweb.social/tags/Nigeria" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Nigeria</span></a></p>
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African Music Forum (AMF)

70s & 80s Kenyan Benga & Afro-Cuban Rumba

amf.didiermary.fr/kenyan-benga

Kenyan Benga & Afro-Cuban Rumba playlist from the 3-LP set from Soundway Records’ release “Kenya Special – Selected East African Recordings from the 1970s and ’80s”.

Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7″ singles) that stand out [...]

African Music Forum · Kenyan Benga, Afro-Cuban Rumba 70s 80s - African Music Forum
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