The Japan Times<p>The dying words of a wounded man come back to haunt him when he fails to meet his maker on schedule in Nobuhiro Yamashita’s “Confession.” <a href="https://www.japantimes.co.jp/culture/2024/05/23/film/kokuhaku-confession/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">japantimes.co.jp/culture/2024/</span><span class="invisible">05/23/film/kokuhaku-confession/</span></a> <a href="https://mastodon.social/tags/culture" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>culture</span></a> <a href="https://mastodon.social/tags/film" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>film</span></a> <a href="https://mastodon.social/tags/tomaikuta" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>tomaikuta</span></a> <a href="https://mastodon.social/tags/ryujiyong" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ryujiyong</span></a> <a href="https://mastodon.social/tags/nao" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nao</span></a> <a href="https://mastodon.social/tags/nobuhiroyamashita" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>nobuhiroyamashita</span></a></p>