Sarah :neurodi:<p>With the popularity of "composing by ear" with DAWs lately, I wanted to give an example of a case when using notation to help identify weaknesses in orchestral parts can still be a valuable resource and make the resulting orchestration even stronger. <a href="https://social.lol/tags/musiceducation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>musiceducation</span></a> <a href="https://social.lol/tags/howtocompose" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>howtocompose</span></a> <a href="https://social.lol/tags/orchestration" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>orchestration</span></a> <a href="https://social.lol/tags/musicnotation" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>musicnotation</span></a> <a href="https://social.lol/tags/technique" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>technique</span></a></p><p><a href="https://rankett.net/w/6rqAKekqhKQFsD8XSKUXfR" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">rankett.net/w/6rqAKekqhKQFsD8X</span><span class="invisible">SKUXfR</span></a></p>