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Splines<a href="https://pixelfed.social/discover/tags/SeeFeelTouchHug?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#SeeFeelTouchHug</a><br> <br> In both <a href="https://pixelfed.social/discover/tags/art?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#art</a> and <a href="https://pixelfed.social/discover/tags/engineering?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#engineering</a>, one must be able to both <a href="https://pixelfed.social/discover/tags/see?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#see</a> and <a href="https://pixelfed.social/discover/tags/feel?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#feel</a> things that might not be there (yet).<br> <br> We were able to "see" the outlines of the <a href="https://pixelfed.social/discover/tags/scroll?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#scroll</a> surface from <a href="https://pixelfed.social/discover/tags/imageScans?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#imageScans</a> of <a href="https://pixelfed.social/discover/tags/Vignola?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#Vignola</a>'s sketches in <a href="https://pixelfed.social/p/Splines/793169876757012827" rel="nofollow noopener noreferrer" target="_blank">https://pixelfed.social/p/Splines/793169876757012827</a> and <a href="https://pixelfed.social/p/Splines/793215298082967733" rel="nofollow noopener noreferrer" target="_blank">https://pixelfed.social/p/Splines/793215298082967733</a>.<br> <br> Vignola's images are on a 2-dimensional surface, as are the outlines we extracted from them. We believe the scroll surface also exists, but it is not yet manifest in 3-dimensional space. So, like a visually impaired person, we try to "feel" our way to the scroll surface using the outlines as our <a href="https://pixelfed.social/discover/tags/walkingStick?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#walkingStick</a>.<br> <br> This diagram is identical to that in <a href="https://pixelfed.social/p/Splines/793493316852849994" rel="nofollow noopener noreferrer" target="_blank">https://pixelfed.social/p/Splines/793493316852849994</a> but with the rear ends of the horizontal <a href="https://pixelfed.social/discover/tags/primaryCurves?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#primaryCurves</a> marked with R1, R5, and R3, which are paired with F1, F5, and F3, respectively.<br> <br> We know that the scroll surface must <a href="https://pixelfed.social/discover/tags/touch?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#touch</a> the tangent points T1, T2, and so on in front, as well corresponding tangent points in the rear (not shown here to reduce clutter).<br> <br> In <a href="https://pixelfed.social/p/Splines/792906324854792619" rel="nofollow noopener noreferrer" target="_blank">https://pixelfed.social/p/Splines/792906324854792619</a>, I mentioned that a scroll starts with a volute in front and is <a href="https://pixelfed.social/discover/tags/modulated?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#modulated</a> by as many as six volutes of different shapes and sizes as it reaches the back, with the scroll surface tightly hugging the volutes at EACH contact point in ALL 3 dimensions. In other words, it is not sufficient for the scroll surface to "touch" the <a href="https://pixelfed.social/discover/tags/volute?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#volute</a> <a href="https://pixelfed.social/discover/tags/spirals?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#spirals</a> just in the front and rear. It must also "hug" the intermediate <a href="https://pixelfed.social/discover/tags/modulatingSpirals?src=hash" class="u-url hashtag" rel="nofollow noopener noreferrer" target="_blank">#modulatingSpirals</a>. I will first show this technique with 4 modulating spirals using rectangles M, N, P, Q, and R as their frame, and add more later on.<br> <br> Intuitively, we know that if we use curve F3-R3 as our walking stick on the straight vertical extrusion of that curve, we will feel the scroll surface *somewhere* on that extrusion along every point from front to back. We can narrow it down further by excluding portions above and below as we approach rectangle R in the rear.
Chuck Darwin<p><a href="https://c.im/tags/speed" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>speed</span></a>-<a href="https://c.im/tags/modulated" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>modulated</span></a> <a href="https://c.im/tags/ironing" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ironing</span></a><br>utilizes a dual-nozzle 3D printer. </p><p>The first nozzle deposits a heat-responsive filament and the second nozzle passes over the printed material to activate certain responses, such as changes in opacity or coarseness, using heat.</p><p>By controlling the speed of the second nozzle, the researchers can heat the material to specific temperatures, <br>finely tuning the color, shade, and roughness of the heat-responsive filaments. </p><p>Importantly, this method does not require any hardware modifications.</p><p>The researchers developed a model that predicts the amount of heat the “ironing” nozzle will transfer to the material based on its speed. </p><p>They used this model as the foundation for a user interface that automatically generates printing instructions which achieve color, shade, and texture specifications.</p><p>One could use speed-modulated ironing to create artistic effects by varying the color on a printed object. </p><p>The technique could also produce textured handles that would be easier to grasp for individuals with weakness in their hands.<br><a href="https://news.mit.edu/2024/new-3d-printing-technique-creates-unique-objects-using-less-waste-1010" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">news.mit.edu/2024/new-3d-print</span><span class="invisible">ing-technique-creates-unique-objects-using-less-waste-1010</span></a></p>