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#foucauldian

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Linnèa<p>* A <a href="https://glammr.us/tags/zine" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>zine</span></a> I made on <a href="https://glammr.us/tags/Libraries" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Libraries</span></a> &amp; <a href="https://glammr.us/tags/Technology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Technology</span></a> where I sounded off abt the <a href="https://glammr.us/tags/IndieWeb" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IndieWeb</span></a> &amp; <a href="https://glammr.us/tags/Decentralized" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Decentralized</span></a> <a href="https://glammr.us/tags/SocialMedia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SocialMedia</span></a>. </p><p>My final essays: </p><p>* " <a href="https://glammr.us/tags/PublicLibraries" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PublicLibraries</span></a> &amp; Their ‘Innocuous’ Physical Spaces." (My current obsession for <a href="https://glammr.us/tags/Severance" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Severance</span></a> slipped in (I need a <a href="https://glammr.us/tags/Foucauldian" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Foucauldian</span></a> analysis of Severance so bad omg)). </p><p>* <a href="https://glammr.us/tags/Android" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Android</span></a> 101 for Older Adults" &amp; honestly I'm still trying to figure out what libguides are (I think I could do it better than springshare??)</p>
~yassin<p>"A senior representative from a major cultural institution in <a href="https://tilde.zone/tags/Germany" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Germany</span></a>, who asked to remain anonymous, said the country’s status as an exceptionally free environment is at risk of disintegrating. They noted a pervasive fear of job loss or loss of <a href="https://tilde.zone/tags/funding" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>funding</span></a> from within institutions. “Nobody wants to be publicly associated with [the issue of Israel-Palestine], people are afraid to like things on Instagram, some have even stopped writing emails on the subject. Everyone’s afraid of saying or doing the wrong thing,” they said.</p><p>Consequently, according to the representative, the vetting process often takes informal forms, especially concerning Muslim artists. “Someone comes and says: ‘This or that person gives me a strange vibe’—and that’s often enough to forego a collaboration,” they said. “It’s truly a form of preemptive, <a href="https://tilde.zone/tags/Foucauldian" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Foucauldian</span></a> <a href="https://tilde.zone/tags/obedience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>obedience</span></a>, where everyone has internalized the rules, and everyone watches each other. That’s the direction this is going."</p><p><a href="https://news.artnet.com/art-world/germany-cancellations-2407316" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">news.artnet.com/art-world/germ</span><span class="invisible">any-cancellations-2407316</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/palestine" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>palestine</span></a></span></p>